Cinderella Story

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Last August, it was Barbie. This June, it’s Cinderella. I found her after wading through a growing jumble of invasive japanese hops on “the island.” My son was throwing stones into the water on the opposite side of the river, where the trees are tall and plentiful enough to offer relief against the heat that has overtaken us the last few days. On “the island,” I sweated, dust and gnats and plant juices clinging to my damp legs, and collected my stash of garbage.

As I photographed Cinderella, turning her over to catch her at different angles, recording her placement on the disturbed earth, I began to feel as if I was in some twisted parody of a police procedural. Later, when I mentioned this to my husband, he conjured his best Lenny from Law and Order and quipped, “Well, it looks like she won’t be getting back before midnight.”

As a girl I was obsessed with Cinderella, especially the Disney version, with the ice-blue dress and nipped waist. I had a small book accompanied by the seventies version of an audiobook, a record recording of a magical-voiced woman reading the words to the story, interspersed with a cue to turn the pages. Curiously, although the book cover depicted the classic Disney Cinderella, the interior illustrations were in an entirely different style, more slapdash, and her fairy godmother blessed her with an entirely different dress as well: white and pink, with cap sleeves, and a massive hoop skirt festooned with what looked like crinkly pastel-colored garland. It was this dress — not Disney’s — that inspired the endless drawings of princesses I doodled between the ages of four and six.

Later, in my early feminist stage, I felt ashamed of my younger preoccupations with princesses and Barbies. I took some solace in the fact that my Barbie play usually involved operatic sagas that ended with Barbie friendless and homeless, begging on a street corner in rags. Even my princess obsession eventually evolved into an interest in mythology and, much, much later, a manuscript for a distracted fantasy novel. But I can’t deny that this early focus on external beauty certainly had some influence on my how I regarded my own appearance (that is, poorly). I didn’t escape my teenage years unscathed.

Nonetheless, I think of Cinderella fondly. It was a shame to find her abandoned in the dirt. But I threw her out anyway.

When You Lose Your Head

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Poor Barbie. Dismembered, beheaded, and thrown away by the Monocacy River. I passed by her for days before I finally stopped to pick her up. It’s not that I didn’t notice her or even think about her; I just kept hoping for a better conclusion.

It’s been a rough summer here along the Monocacy. First I realized that I had to move my father into a new living situation from York to Frederick by the middle of August ( see In Knots). Then my husband slipped down one of the river’s taller banks and tore his quadriceps tendon, which required surgery and a long recovery at home that isn’t over yet (see The Monocacy Rocks for the general site of the accident, and be forewarned!). And, finally, school was out. The less said about that, the better.

Poor me. But at least I’m not Barbie. I do have my head, and I’m back on my blog. That’s a much better conclusion.