Wanting

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What do I remember?

 

The gritty slope of concrete,

Pressing into my tailbone,

Cold,

As I watched the silty water

Of the creek

Run, metal-scented,

From man-made tunnels.

 

I imagined myself

Elsewhere, but

There

I was.

 

My house,

My father’s house,

Down the street, was where I

Least/

Most

Wanted to be.

Not that there was a

Choice

For a teenage girl

To go anywhere

But where she was.

 

Now I watch a river

Two, three times the size,

Brown and thick

With manure,

Mud of

Men and animals,

And I cannot see where

It goes.

I want to be

There,

Just there,

And nowhere else.

I want

My mind to stay

Too.

 

But it goes to that

House,

Father’s House,

Dad’s House,

Where he

Isn’t anymore.

 

And then I want so much

More.

 

I smell the water

And can’t forget

The wanting.

 

My Father

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My father died last week. It still feels too recent to write anything coherently, but every now and then a panic seizes hold of me — a deep, sickening fear — that the time when he was with me is passing away too quickly, that I am losing something vital that will be impossible to retrieve if I wait too long. So I try. I sit here putting words on a screen, and I feel as if I’m wearing blinders. I see but narrowly, unable to understand what is not directly before me.

Days before my father’s hospitalization this fall, when he was still walking, albeit warily, and his dementia had not yet so confused his speech, he and I visited the Catoctin Furnace, where pig iron was discovered and then, beginning in 1776, produced by the first governor of Maryland, Thomas Johnson. We followed the trail that leads into the woods beside the reconstructed furnace, past the ruins of the old manor house, where sparrows hopped between asters and pokeweed in the autumn sun, onto a rocky, narrow path framed by heaps of ancient slag, over the treacherously open Bowstring Arch Bridge, which overlooked a pair of dogs gamboling after sticks a woman tossed into Little Hunting Creek. I stopped my father on the bridge to take a picture of him, something I rarely did. I had no idea this would be the last hike I would ever take with him. I had no idea. But it was a beautiful day. And he smiled.

It was this day I remembered when, the night before his funeral, I tried to think of something to say at his service. My brother and sisters had all finished their pieces, each beautiful in their uniqueness and approach, but my head was too filled, too noisy, too confused by images of my father’s last days. It was not until I lie in bed, not sleeping, nursing my numbness, that the woods came to me: the leaf-littered path, and the water, and my father beside me, as he had been so many times before.

And I knew what to say:

 

To Dad

 

When I step into the woods,

Onto a path through a field,

Up a trail into the mountains,

You are with me —

You always were —

A teacher,

Pointing out

the color of the stones,

The signs of animals in the underbrush,

The shape of the leaves on the trees.

It’s your language

The way you love

How you show the way.

And how nice it is,

Now,

To see how easy it will be

To feel you again,

In the wren in the thicket,

The bright zinnias in my garden,

The rolling clouds in the sky.

You thought you taught me to see

The world

But you also taught me to see

You.

So I never have to say

Goodbye,

Only,

I’ll see you later,

Again,

Soon.

–Julie

Faces in the Wood

Especially when it’s windy, as it has been the last few days, the woods can feel alive. I think I hear a door creak, only to turn and realize that it’s two trees rubbing against each other. Or a rustling in the leaves beside me suggests footsteps, but it’s only a fallen branch. Occasionally, of course, there really are deer watching me or squirrels racing through the brush, but usually I’m alone, surrounded by the tall, silent sentinels of the forest. Perhaps that’s why it’s eerie when they do seem to come alive. I suppose, to some, faces on trees are whimsical (hence those kits that can be bought in gardening catalogs), but in fiction they are just as likely to be foreboding. So what am I to think of this?

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To me, that tree looks a little angry. Perhaps I would be, too, if a woodpecker — likely the prehistoric-looking pileated, no less — had been pounding on me. In another part of the woods, I found some sort of mythical beast, too nondescript for a hydra, but fantastic all the same. It’s not hard to remember being five when I encounter such things.

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But, as when I was small, I have only to step into the light and remind myself of who I am. It’s like a variation on a favorite rhyme: “I see the tree, and the tree sees me.”

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