My Father

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My father died last week. It still feels too recent to write anything coherently, but every now and then a panic seizes hold of me — a deep, sickening fear — that the time when he was with me is passing away too quickly, that I am losing something vital that will be impossible to retrieve if I wait too long. So I try. I sit here putting words on a screen, and I feel as if I’m wearing blinders. I see but narrowly, unable to understand what is not directly before me.

Days before my father’s hospitalization this fall, when he was still walking, albeit warily, and his dementia had not yet so confused his speech, he and I visited the Catoctin Furnace, where pig iron was discovered and then, beginning in 1776, produced by the first governor of Maryland, Thomas Johnson. We followed the trail that leads into the woods beside the reconstructed furnace, past the ruins of the old manor house, where sparrows hopped between asters and pokeweed in the autumn sun, onto a rocky, narrow path framed by heaps of ancient slag, over the treacherously open Bowstring Arch Bridge, which overlooked a pair of dogs gamboling after sticks a woman tossed into Little Hunting Creek. I stopped my father on the bridge to take a picture of him, something I rarely did. I had no idea this would be the last hike I would ever take with him. I had no idea. But it was a beautiful day. And he smiled.

It was this day I remembered when, the night before his funeral, I tried to think of something to say at his service. My brother and sisters had all finished their pieces, each beautiful in their uniqueness and approach, but my head was too filled, too noisy, too confused by images of my father’s last days. It was not until I lie in bed, not sleeping, nursing my numbness, that the woods came to me: the leaf-littered path, and the water, and my father beside me, as he had been so many times before.

And I knew what to say:

 

To Dad

 

When I step into the woods,

Onto a path through a field,

Up a trail into the mountains,

You are with me —

You always were —

A teacher,

Pointing out

the color of the stones,

The signs of animals in the underbrush,

The shape of the leaves on the trees.

It’s your language

The way you love

How you show the way.

And how nice it is,

Now,

To see how easy it will be

To feel you again,

In the wren in the thicket,

The bright zinnias in my garden,

The rolling clouds in the sky.

You thought you taught me to see

The world

But you also taught me to see

You.

So I never have to say

Goodbye,

Only,

I’ll see you later,

Again,

Soon.

–Julie

Zinnias

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Zinnias. They’re not native to Maryland, preferring the hot, dry locales of the southwest and Mexico, but I love to plant them in my garden. In the early spring, I buy a few seed packets, pull my own baggies of last year’s seeds out of storage, and spread them over bare soil that will be dry and hard by August. I rake the dirt over them a bit (maybe), sprinkle some water on top, and leave them. As the tulip and daffodil leaves begin to shrivel, the zinnias begin to sprout, and when the butterfly weed has begun to wane, the zinnias grow taller, and as the coneflowers think of fading, the zinnias bloom. I plant a variety of low-growing zinnias so close together that they create busy bouquets

as well as the more classic, tall varieties, some so tall that I need to stand on tiptoes to photograph, which bloom in a plethora of color and a profusion of petals.

They’re a favorite of bees and butterflies,

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but it’s the resident hummingbirds that draw the most attention, zooming between our honeysuckles and vegetable garden out back — ceding the sunflowers to the goldfinches for the most part — and the zinnias out front. One morning our old labrador, Poppy, startled one when she stepped outside for her morning constitutional. It zipped away momentarily but soon returned to consider this bear-shaped, heavy-breathing mammal. Poppy, either sensing its superiority or hoping that it might want to play, promptly rolled over for it. The hummingbird simply ignored her and tended to the flowers, but, really, what else could it do?

Huh. Now that’s a book waiting to be written.

Just Keeping Afloat

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It’s just too much sometimes. Or not enough. I’m not sure which. Either way, there are times when I feel as if I’ve been flattened, or maybe just blunted, by the minuscule concerns of daily life. Add a few extra worries — like an ill parent, maybe, or a letter to be written — and I find myself not so much flat but sinking into a small hole. A depression. Not a deep one, mind you, just a small dip requiring a little extra work to move my legs forward. I can do it myself. Just give me a moment. Yes. There I am.

So many times, I plan to address concrete issues on this blog, but I fear losing the joy of writing in facts and politics. Last week, for instance, the Monocacy Scenic River Advisory Board finally voted to recommend the adoption of the  2016-17 Monocacy River Management Plan to the Frederick and Carroll County governments. I followed these discussions with some regularity on my blog’s News page, adding a few editorial comments here and there, but, besides writing a letter in support of the plan in my own name, I essentially stayed out of the fray. Many farmers and landowners feel that the new plan, which encourages a substantial buffer along the water and delineates areas of ecological and archaeological concern, infringes on their private property rights, and they have been at times shrilly adamant in voicing their concerns. I, and many other citizens of Frederick county, have questioned the rights of individuals to decide whether or not to care for a river that belongs to the public and provides our drinking water. Of course, the arguments go much deeper than this — how much of a buffer is really required? Is the river already protected by other legislation? — and obviously a much longer article would be required to document the frustrated exchanges and to chronicle the evolution of the report. (In fact, you can find a few such articles and essays on envisionfrederickcounty.org).

But the many times I’ve started to write about this topic, rallying my facts and forming my opinions, I’ve felt myself tie up into knots, my body readying itself for an onslaught of perfectionism and the inevitable following sense of failure. It is my highly sensitive graduate student reflex. And I hate it. It’s far more pleasant to step into my stream of consciousness and record where it takes me. Rather like a stray raft down a river. (Seriously, it’s more than a metaphor: I saw one of them last week).

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It’s my blog. I can write what I want to. Yes? But I feel responsible, too, as someone who cares for the river, to address the issues that affect it. Or do I leave that to scientists and policymakers and allow myself to see the poetry of the river, in all of its messiness? There must be some balance, some way to step into the political waters without going under. Even when I’m in a shallow hole and the floodwaters are coming in. Yes. Even then.

Cinderella Story

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Last August, it was Barbie. This June, it’s Cinderella. I found her after wading through a growing jumble of invasive japanese hops on “the island.” My son was throwing stones into the water on the opposite side of the river, where the trees are tall and plentiful enough to offer relief against the heat that has overtaken us the last few days. On “the island,” I sweated, dust and gnats and plant juices clinging to my damp legs, and collected my stash of garbage.

As I photographed Cinderella, turning her over to catch her at different angles, recording her placement on the disturbed earth, I began to feel as if I was in some twisted parody of a police procedural. Later, when I mentioned this to my husband, he conjured his best Lenny from Law and Order and quipped, “Well, it looks like she won’t be getting back before midnight.”

As a girl I was obsessed with Cinderella, especially the Disney version, with the ice-blue dress and nipped waist. I had a small book accompanied by the seventies version of an audiobook, a record recording of a magical-voiced woman reading the words to the story, interspersed with a cue to turn the pages. Curiously, although the book cover depicted the classic Disney Cinderella, the interior illustrations were in an entirely different style, more slapdash, and her fairy godmother blessed her with an entirely different dress as well: white and pink, with cap sleeves, and a massive hoop skirt festooned with what looked like crinkly pastel-colored garland. It was this dress — not Disney’s — that inspired the endless drawings of princesses I doodled between the ages of four and six.

Later, in my early feminist stage, I felt ashamed of my younger preoccupations with princesses and Barbies. I took some solace in the fact that my Barbie play usually involved operatic sagas that ended with Barbie friendless and homeless, begging on a street corner in rags. Even my princess obsession eventually evolved into an interest in mythology and, much, much later, a manuscript for a distracted fantasy novel. But I can’t deny that this early focus on external beauty certainly had some influence on my how I regarded my own appearance (that is, poorly). I didn’t escape my teenage years unscathed.

Nonetheless, I think of Cinderella fondly. It was a shame to find her abandoned in the dirt. But I threw her out anyway.

Scraps

Sorting through my photographs, I realized that there are several that I set aside for a particular post but then, for whatever reason, never used. Although it conflicts with my need for some sort of focus for all of my writing, in an effort not to completely lose sight of my intentions for these pictures, I’ve decided to set them all out today, with notes, like a disorganized scrapbook page. (I have tried scrapbooking before, and it just isn’t in me; neither is keeping an immaculate house. Truly I am a failure as a homemaker.) But, of course, having written this paragraph, I’ve assigned a theme.  Why do I do that?

These photographs were to be about line, texture, and symmetry. The old wasp’s nest also reminded me of the huge hornet’s nest that hung inside the ‘Walking Stick’ shrub in my backyard when I was little. I ran right into it during a game of SPUD and suffered the consequences. I never developed a fear of stinging insects, though, perhaps in part because my father took the nest down that winter and allowed my brothers to hang it in their bedroom from the central light fixture. Also, I’m clearly not allergic to them.

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I found this and spent the rest of the day with R.E.M. songs streaming through my brain.

Peek-a-boo trash: before and after. I nearly missed this Starbucks cup when the only thing visible was the green straw.

And, of course, I’m still running into the problem, months later, with other sorts of trash. (Yes, Bud Light, again).

My mixed-breed, young Rosie, is obsessed with sticking her head in holes. (Mostly made by groundhogs, I think). I’m a little afraid that one day she’ll pop back up with a bite on her nose. My friend’s dog once got bit by a squirrel, and the poor thing bled profusely. The dog was fine, but the car never really recovered from the trip to the vet.

Okay, so now I’m fighting the urge to write a summary paragraph. Mission almost accomplished.

 

Love, Up Close

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This is the very first image I posted on my blog: my original header.

Initially I hesitated to use it because the Monocacy, the polluted but lovely southern river for which this blog is named, is nowhere to be found. Ultimately, however, that is one of the very reasons that the picture is so appropriate. A river is more than the water that flows into it; it is the land that surrounds it. It is the land that determines its health. It is on the land that I find most of the trash that pollutes its waters.

But this image is really about the heart spray-painted on the trunk of the dead tree. Ostensibly it is vandalism, a sort of trashing of nature, but the symbol and its underlying message imbues it with its own sort of beauty. It also reflects my feeling toward this small part of a much larger ecosystem. This heart on this tree is on a small island on a small river (the Monocacy) that flows into a larger river (the Potomac) that flows into a delicate bay (the Chesapeake) that opens into an ocean (the Atlantic). This space is so much more than it seems. And so is the tree.

Let’s look a little more closely. A heart:

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And more closely still. An imperfect heart:

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And even closer. A mere smudge:

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Or something more. This heart on this dead tree is the marker for an entrance to a whole other world. It hides the holes made by birds looking for insects looking for food looking for a home. If I were a microbiologist, I could say more, but even my limited knowledge allows me to appreciate the complexity of the life provided by this rotting trunk.

And appreciation is what this blog is about. Appreciating the ugly in order to appreciate the beautiful. Appreciating the moments that make a small life big. Appreciating the life around me so easily overlooked. Appreciating how often things are not quite as simple as they seem. Appreciating a world of writers, thinkers and artists who may not think of themselves as any of these things.

Love from the Monocacy.

An Average Memoir on the Monocacy

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One of the most difficult things I find about writing any sort of memoir or personal essay is that I did not and do not live in isolation. The stories that are my own belong to many others as well. I can’t write about motherhood without writing about my children, about my childhood without writing about my brothers and sisters, or about my marriage without writing about my husband. It’s why I often revert to science and history in my posts.

I was raised to be many things, but perhaps most emphatically I was raised to be humble and realistic in my expectations. One night, when I was feeling particularly bad about how school had gone that day, my father told me, “There will always be people smarter than you or better than you. You’re average, and it’s okay. Most of us are average. It’s not worth getting upset about.” I’ve had people tell me that this was a pretty mean thing for a father to say to an eight-year-old girl, but now I’m not so sure. He was being eminently practical and telling me the truth. I am average.

So why do I have the right to intrude on other people’s stories in order to tell my own? There are those who are so wonderful at telling their stories that it would be a shame for them not to write: David Sedaris, for example, who also happens to be another – but far more funny and astute – collector of trash; or Janisse Ray, whose Ecology of a Cracker Childhood deftly and beautifully combines memoir and natural history. But where that leaves me isn’t quite clear.

Where do I end and others begin? It’s not simple. Physicians are told “First, do no harm,” but it’s a directive that could apply to all of us. Certainly it can apply to writing. Yes, I’ll tell my story, and it will be yours as well, but I will not hurt you. Whatever that means.

Originally I intended to write all of this as an introduction to a piece of my own fiction, as an explanation for why I was posting something so irrelevant to the blog itself. While I might still post some fiction in the future, I believe I’ve already inadvertently written today’s entry. Maybe I’ll call it “The Trouble with the I in Memoir.” Or is that not average enough for me?