My Father

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My father died last week. It still feels too recent to write anything coherently, but every now and then a panic seizes hold of me — a deep, sickening fear — that the time when he was with me is passing away too quickly, that I am losing something vital that will be impossible to retrieve if I wait too long. So I try. I sit here putting words on a screen, and I feel as if I’m wearing blinders. I see but narrowly, unable to understand what is not directly before me.

Days before my father’s hospitalization this fall, when he was still walking, albeit warily, and his dementia had not yet so confused his speech, he and I visited the Catoctin Furnace, where pig iron was discovered and then, beginning in 1776, produced by the first governor of Maryland, Thomas Johnson. We followed the trail that leads into the woods beside the reconstructed furnace, past the ruins of the old manor house, where sparrows hopped between asters and pokeweed in the autumn sun, onto a rocky, narrow path framed by heaps of ancient slag, over the treacherously open Bowstring Arch Bridge, which overlooked a pair of dogs gamboling after sticks a woman tossed into Little Hunting Creek. I stopped my father on the bridge to take a picture of him, something I rarely did. I had no idea this would be the last hike I would ever take with him. I had no idea. But it was a beautiful day. And he smiled.

It was this day I remembered when, the night before his funeral, I tried to think of something to say at his service. My brother and sisters had all finished their pieces, each beautiful in their uniqueness and approach, but my head was too filled, too noisy, too confused by images of my father’s last days. It was not until I lie in bed, not sleeping, nursing my numbness, that the woods came to me: the leaf-littered path, and the water, and my father beside me, as he had been so many times before.

And I knew what to say:

 

To Dad

 

When I step into the woods,

Onto a path through a field,

Up a trail into the mountains,

You are with me —

You always were —

A teacher,

Pointing out

the color of the stones,

The signs of animals in the underbrush,

The shape of the leaves on the trees.

It’s your language

The way you love

How you show the way.

And how nice it is,

Now,

To see how easy it will be

To feel you again,

In the wren in the thicket,

The bright zinnias in my garden,

The rolling clouds in the sky.

You thought you taught me to see

The world

But you also taught me to see

You.

So I never have to say

Goodbye,

Only,

I’ll see you later,

Again,

Soon.

–Julie

“Obscure, plain and little…”

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My memorial painting of Anastasia, with her sister, Sugar. JSS

A few weeks ago, we lost the smallest member of our family, the timid but trusting albino rat, Anastasia. She doesn’t have much to do with trash or the Monocacy River, and I realized about a month ago that I was dwelling on my pets, and maybe even death, perhaps a little too much for my stated goals for this blog, but, with the passage of time, I’ve begun to see that to let her death go unmentioned is almost a form of dishonesty. Small as she was, we all miss her warm, little body, the strong, quick beating of her heart, and her ruby-red, curious eyes.

Of all the pets I’ve kept (and, oh, there were many in my childhood), rats have elicited the most vehement and divisive responses: either “Gross! Those tails!” or “Oh! Aren’t they the best pets!” I was devoted to mice as I grew up, and lived with gerbils, hamsters, a guinea pig and a rabbit, but never got a rat until my boys persuaded me, much too easily, a few years ago. First we had a pair of dumbo rat boys, Aloysius and Percy, who lived their short three years with patient zeal — a requirement for living with a pair of young human boys. Then, although my husband swore he would never countenance another rat living under roof, we rescued two rat girls who were destined to be snake food. Anastasia was the smaller of these two. Sugar, the other, is now lonely and squishy, choosing to cuddle rather than run off to find adventure when we let her out to play. All of our rats have had their own personalities, foibles, and weaknesses, and it is difficult to imagine that their ancestors were the terrifying vermin of the Middle Ages or to remember that their cousins remain the pests of modern cities.

Perhaps they belong in this blog more than I first though. Rats: Eaters of trash.  Spreaders of disease. Least liked member of the rodent world The Monocacy: Consumer of waste. Flowing with pollutants. Least appreciated of rivers. But beautiful in their own ways, with wonders in their depths, personalities to plumb, just waiting to be known and understood.

Rest well, Anastasia. I knew you. And I am glad for that.

 

On Seeing Everything

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As a trash collecting hobbyist, it is difficult to look away from unpleasantness. It is difficult, in fact, to look away from anything at all, as I am always looking at everything. My only way, then, of not seeing unpleasantness is not to write about it. And I am guilty of that.

Whether because of the early loss of my mother or the natural human aversion to reminders of mortality, I am affected for days after encountering the body of an animal, particularly if it is young. For years, I said a prayer for every dead animal I passed on the road. Although my faith has gotten shaky, I usually still say my roadkill prayer; it seems to absolve me from some of the pain and grief that witnessing death usually invokes in me. The sight of vultures and crows over a carcass offers me even more comfort. They show a way to truly see a purpose in the animal’s death, if not in its life.

There are moments, though, when this is not quite enough. The time, for instance, when I saw a car strike a bear cub, and for weeks and months (and even years now?) could not stop imagining the bereaved mother bear somewhere in the woods on the other side of the road. Or, last year, when I found an older fawn lying in the woods along the Monocacy River, clearly dead but without any signs of trauma, and a few days later encountered another fawn of the same age, only a short distance away, looking slow and weak, its ribs showing and rear smeared with diarrhea. It stared at me for a long time, unconcerned with my curious old dog, before tottering back into the tall brush. Again I imagined a mother, but this time she was the one dead on the side of the road, and her children were lost without her. Lost children: our fears and histories seem to circle back on themselves, and our imagination never wanders too far from us.

Yesterday I found a young fox kit on the island path. It was lying on its side, its small mouth just open, its eyes just closed. It was dead, of course, but only just so. Its gray fur was downy and its body soft as I lifted it, checking for signs of life and death. The head lolled, its neck broken, and a tincture of moist blood stained its right ear. There was nothing I could do but move it from the path to the forest floor, where it could decompose in relative peace, shaded and surrounded by the bluebells, celandine and violets that have transformed the Monocacy into a wonderland. I covered it with a few damp leaves and noticed a trout lily blooming nearby.

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I know that death is vital to life. Predators kill and prey feed, diseases weaken, the strong survive and reproduce. I get all of that. I appreciate it. With an intellectual and scientist’s objective eye, I can say, “This is Good.” But sometimes my soul is just a little too sensitive for this world.