Cinderella Story

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Last August, it was Barbie. This June, it’s Cinderella. I found her after wading through a growing jumble of invasive japanese hops on “the island.” My son was throwing stones into the water on the opposite side of the river, where the trees are tall and plentiful enough to offer relief against the heat that has overtaken us the last few days. On “the island,” I sweated, dust and gnats and plant juices clinging to my damp legs, and collected my stash of garbage.

As I photographed Cinderella, turning her over to catch her at different angles, recording her placement on the disturbed earth, I began to feel as if I was in some twisted parody of a police procedural. Later, when I mentioned this to my husband, he conjured his best Lenny from Law and Order and quipped, “Well, it looks like she won’t be getting back before midnight.”

As a girl I was obsessed with Cinderella, especially the Disney version, with the ice-blue dress and nipped waist. I had a small book accompanied by the seventies version of an audiobook, a record recording of a magical-voiced woman reading the words to the story, interspersed with a cue to turn the pages. Curiously, although the book cover depicted the classic Disney Cinderella, the interior illustrations were in an entirely different style, more slapdash, and her fairy godmother blessed her with an entirely different dress as well: white and pink, with cap sleeves, and a massive hoop skirt festooned with what looked like crinkly pastel-colored garland. It was this dress — not Disney’s — that inspired the endless drawings of princesses I doodled between the ages of four and six.

Later, in my early feminist stage, I felt ashamed of my younger preoccupations with princesses and Barbies. I took some solace in the fact that my Barbie play usually involved operatic sagas that ended with Barbie friendless and homeless, begging on a street corner in rags. Even my princess obsession eventually evolved into an interest in mythology and, much, much later, a manuscript for a distracted fantasy novel. But I can’t deny that this early focus on external beauty certainly had some influence on my how I regarded my own appearance (that is, poorly). I didn’t escape my teenage years unscathed.

Nonetheless, I think of Cinderella fondly. It was a shame to find her abandoned in the dirt. But I threw her out anyway.

Your Servant

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Choices, circumstances, and the general vagaries of life have led me to my current occupation, the title of which seems to change according to time or point of view.  What I would have called a “housewife” growing up, is now, for the most part, a stay-at-home-mom (SAHM), but other terms I’ve heard used include domestic engineer (blah), domestic diva (ick), or homemaker (eh). In any case, the job comes with no pay or social security benefits, lots of judgement and guilt, and repetitive tasks.  Of course I’m very lucky to be able to stay at home and rely on someone else’s income.  It’s a privilege to be available to help at my sons’ schools, take them to their appointments, and field the emotional crises that their needs dictate.  It is wonderful to be able to adapt my schedule for my husband’s honestly difficult and stressful job.  My troubles are that of a middle-class white woman living in America, which renders them the least troublesome of all troubles in most of the rest of the world.  I am intelligent enough and unselfish enough to see that. But sometimes I do want more. Not more things. Just more. And it’s out there.

Collecting the Monocacy’s trash and writing this blog is part of the more.  What’s ironic, however, is how much the task can resemble my occupation.  After all, what am I doing, really, but cleaning up after people?  Usually the debris is so random and spread apart that the cleaning is rendered impersonal and therefore can assume an abstract expression of environmentalism.  There are times, though, when I just feel like some stranger’s beleaguered mother.  There is, for instance, an area on the “island” that a group of people use for a campfire every weekend.  When I’m doing my rounds on Sunday or Monday, I find, in addition to their ashes (which are dangerously close to a massive pile of dried wood, leaves and other kindling-like materials), beer cans, food wrappers, and miscellaneous garbage. A photo collage would do the scene justice:

In case you’re wondering, yes, that is a silly putty egg.  There was a deodorant cap, too, for the person who, I suppose, while sucking down his beer, noticed his pits stank.

But I’m not judging.  Oh, well, of course I am.  And isn’t that where this problem started?  I feel judged and so I judge, and we’re all a little more unhappy even though we imagine we’re the opposite? There are days when I feel tremendous joy and gratitude, when I understand how very lucky I am. And then there are days when I feel as if I’ll never get to the top of the trash heap (or is it the bottom?  I’ve gotten lost in this metaphor). Either way, I’m here, and so is the trash.  And so is the river.